Plus: Richard Thomas revives Hal Holbrook’s ‘Mark Twain Tonight,’ and a listing of world premieres across the U.S. “Brother tryna challenge my somebodiness,” is what she recalls a man saying to a ...

In November 1985, American Theatre magazine’s second year of existence, Emily Mann’s Execution of Justice appeared in its pages. It was the first full play text the magazine had published. Below is a ...

In November 2014, I traveled to the city of Tacloban on the island of Leyte for research on a multidisciplinary project to understand the impact of communication during Typhoon Haiyan (also known as ...

What the tangled history of Frank Lloyd Wright’s Kalita Humphreys Theater in Dallas can teach us about the stages of tomorrow. It was not Wright’s work alone. The Kalita was also shaped by the ...

Colleagues and friends of the actor-playwright recall his legacy as a dramatist, poet, producer, mentor, truth teller, and friend. On May 13, the world bid farewell to Samuel Arthur Williams, better ...

The end of yet another path-breaking play development program, one with fieldwide impact and global reach, has not been properly mourned. The Sundance Theatre Program never had a proper interment or ...

As theatres have reemerged from pandemic closure in the past season, and audiences are returning, though in still lower numbers than before, there’s plenty of drama onstage. But behind the scenes ...

His latest autobiographical comedy at the Public, ‘Dark Disabled Stories,’ is being designed with access in mind, even as it gets down and dirty about the ways society views and treats disabled people ...

The Brooklyn-based playwright discusses childhood theatre memories in Cincinnati, the continued gender imbalance in the American theatre, and experiences working on iconic projects. Each month on The ...

Clocking the missed opportunities, missteps, and outright transphobic tropes in 3 currently running musicals. Patten has said that she decided to continue to play Jo to honor all the queer people who ...

This piece is one in a series on disability and theatre. Many years ago, a writer emailed me to ask if I’d consult with the originating cast of their new production with an autistic central character.

The legendary director has had a Zelig-like journey through the culture, from regional theatre to Hollywood, Strasberg to Grotowski. Our conversation ranged widely, from the lessons of his peripatetic ...