James Vanderbilt’s film Nuremberg shares many similarities with David W. Rintels’ equally starry 2000 docuseries of the same name. Both track the establishment, processes and arguments of the ...

This promotional still for a Michael Powell classic demonstrates the once common practice of applying paints and dyes to black-and-white images.

Benedict Cumberbatch throws himself into the role of the newly widowed dad from Max Porter’s novella, but the presence of a menacing seven-foot Crow and excessive use of jump scares makes this ...

As her latest dark fable The Ice Tower arrives in cinemas, we track back through the career of a French-Bosnian filmmaker who conjures up surreal, foreboding cinematic songs of innocence, evolution ...

American critic Chris Stuckmann’s crowdfunded debut about a missing paranormal podcaster is often derivative and tasteless, but it’s elevated by great performances and jump-worthy scares.

Commercial and licensing BFI distribution Archive content sales and licensing Venue hire BFI book releases and trade sales Selling to the BFI Commercial partnerships ...

Gerard Johnson delivers another violent journey through a distinctly London brand of low life with a film about an estate agent in debt to gangsters.

Data and Digital Preservation colleagues report back from the ninth edition of the No Time To Wait conference.

Released 100 years ago, Lon Chaney’s grotesque yet sympathetic turn as The Phantom of the Opera marked a primordial moment in Hollywood history when melodrama morphed into horror and Universal noticed ...

David Osit’s film about the cultural phenomenon that was Chris Hasen’s ‘paedophile-hunting‘ TV series To Catch a Predator doesn’t just interrogate its ethics, it uses raw, unaired footage of the ...

Edgar Wright’s faithful adaptation of Stephen King’s 1982 novel about a deadly cross-country chase TV gameshow starring Glen Powell as fugitive Ben Richards is crammed with skilful action sequences, ...

In frozen Changchun, Tony Rayns visited Zhang Yimou as he shot the last scenes of his film To Live. The director spoke with Rayns about laughter as a form of resilience and the state of filmmaking in ...